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Drop Dead! An Exercise in Horror!

by Diode (Dr. Ether's Nephew)

By the early 60s, classic radio had pretty much disappeared from the airwaves, except for a couple of shows hanging on by a thread. Television was now the home entertainment medium of choice. Interest in what we would consider Old Time Radio, however, was far from dead: transcription discs, wire recordings and tape recordings of the old shows were traded, and treasured, by OTR fans. With the introduction of the LP record in the 50s, dramatic readings with sound effects that resembled old time radio gained some popularity. Eventually these recordings led to the release of actual radio shows on LP and the growth of interest in OTR (the LP collections were superseded by the advent of the cassette).

An anamoly from this period is the Arch Oboler LP Drop Dead!, released in 1962. It featured newly recorded vignettes done in the style of OTR—all of them written and directed by one of the pioneers of radio drama. Unfortunately, there is next to no information about the hows and whys of the recording. At the time it was produced, Oboler had been working in film for nearly 20 years as both a writer and director, having started in film work while he was still active in radio and leaving the radio field in the late 40s, so the "why" of his return to radio-style drama does present a bit of a mystery. Was his return motivated by the chance to return to his roots with a cast of radio veterans? Did the chance to experiment with better recording techniques and the (then) new possibilities of stereo pique his interest? Or, was Oboler, often ahead of his time, testing the waters to see if the burgeoning audience for OTR would embrace new radio-style dramas (albeit, delivered not by radio but via turntable)? What ever the reasons, the fact remains that Drop Dead! was released with Oboler's name featured prominently on the cover and within the liner notes on the back cover (see below).

Drop Dead! has been the source of some confusion over the years. The album itself, as mentioned above, is a series of short pieces ranging in length from around two and half minutes to just over 8 minutes (keep in mind that Lights Out was a 30 minute program during most of its run). Contrary to what some believe, a search of radio logs shows that of the 8 selections on the LP, only two are remakes of earlier episodes written and directed by Oboler for the Lights Out program: "The Dark" and "Chicken Heart." The rest, assumedly, were newly written for the project (the album can be heard in its entirety on the KWTNL home page). "The Dark" was originally presented on 12/29/37, but all recordings of the original broadcast seem to be lost and, unlike many Lights Out episodes, it was never repeated. After listening to a number of the examples that claim to be the original broadcast, it becomes clear that they are just speeded up and distorted versions of the Drop Dead! version—the scenes in the story are exactly the same and the running times between the different versions are nearly identical. The same is true of "Chicken Heart." The program was originally broadcast 3 times: on 03/10/37, 02/23/38 and 11/24/42, yet, out of the three broadcasts, the version that crops up on the Internet is nearly identical in length to the Drop Dead! recreation and features the same scenes.

Clearly, if these lost shows were available as fragments (as many claim) something would have to appear in them that was different from the Drop Dead! remakes, whether it be the order or content of scenes or a difference in the running times, and both these shows can probably be considered lost (Note: it is possible that a portion of the original "Chicken Heart" does indeed exist, as I have a dim memory of hearing a snippet around Halloween of last year, but I have been unsuccessful in tracking it down.).

Below, with a slight bit of artistic license, is a re-creation of the back cover of Drop Dead! (we would have shown the front cover, but it is apparently tied up in copyright).

LIGHTS OUT EVERYONE...
sit back and shrill in the terrifying genius of America's most famous master of horror and suspense
An Exercise in Horror written and directed by Arch Oboler

The following letter was sent by Arch Oboler to Capitol Records:

Gentlemen:

Well, here is the recording. I hope it scares the wash-and-wear trousers off you! After all, you started it!

I had better warn you about a bill you may receive shortly. It will be for the following items:

  • 1l wrecked diesel engine
  • 4 quarts fresh blood
  • 6 pairs of rubber gloves
  • 1l ripe watermelon
  • 6 bottles tranquilizers
  • 1 registered nurse
  • 6 assorted chicken hearts

There will also be some miscellaneous bills for minor items including field artillery, one alabaster mountain, and one slightly damaged light plane sans wings.

You asked for realism, remember?

About rebuilding the studio we worked in: I know a contractor who tells me that, by ripping up the floor and replastering the walls it should be very simple to get rid of the blood-stains. This very reliable builder (who happens to be an uncle) would be very happy to do the job at cost plus $50,000.

You will be pleased to know that many of the cast in this recording were with me in the old "Lights Out" radio days. I think both you and the public will enjoy trying to decide if that is Hal "Gildersleeve" Peary who is being turned inside out and whether it is Mercedes McCambridge who gasps while Bea Benadaret is quaintly crushed.

I'm pleased that, other than the exquisite photograph of my skull which appears on the cover, there are no pictures with this album. I think that you or anyone else who listens to this L.P. will get far more pleasure recreating the madness and the mystery on the wide screen of your own mind.

Horrifically,

Arch Oboler


Arch Oboler's special talent for terror has frightened the wits out of three generations of Americans. To those who were old enough (and brave enough) to be regular listeners to the famous bloodrchilling radio series Lights Out during the late Thirties and early Forties, the very mention of OboIer's name brings a reminiscent thrill. He was the first playwright to have his own series on a national network, and he is

acknowledged as the innovator of many ingenious techniques and devices in the field of radio drama, for which he has received, incidentally, nearly every coveted award.

Arch Oboler's creativity has not been strictly confined to one medium, however. His lirst screenplay was for the MGM film, Escape, which was the first anti-Nazi film produced by a major American studio. And his own 1950 production Five was the first motion picture that dealt with the survival of humanity alter an atomic war. It received an Academy Award nomination. His second independent feature, Bwana Devil, was another Oboler first, for it pioneered the field of three-dimensional motion pictures. Oboler’s Broadway play Night of the Auk, which enjoyed great popularity, concerned the return of the first American spaceship from the moon. It pre-dated "Sputnik One" by a year and a day.

His latest film explores, with typical honesty and daring, the statistics on marriage revealed in the famed Kinsey Reports. lt is entitled 1 + 1.

Sound by GENE TWOMBLEY


Side One
INTRODUCTION T0 HORROR

I'M HUNGRY
(movie-type horror)

TAKING PAPA HOME
(suspense-type horror)

THE DARK
(radio-type horror)

Side Two
A DAY AT THE DENTIST'S
(comedy-type horror)

THE POSSE
(T.V.-type horror)

CHICKEN HEART
(science fiction-type honor)

THE LAUGHING MAN
(the ultimate In horror)


THE CAST
Edgar Barrier
Bea Benadaret
Larry Dobkin
Sam Edwards
Virginia Gregg
Jerry Hausner
Jack Johnstone
Jack Kruschen
Forrest Lewis
Junius Matthews
Ralph Moody
Mercedes McCambridge
Harold Peary
Barney Phillips
Bill Phipps
Olan Soule
Chet Stratton
THIS STEREO RECORD SHOULD BE PLAYED ONLY WITH A STEREO CARTRIDGE AND NEEDLE TO AVOID DAMAGE
MADE IN U.S.A • FACTORIES IN SCRANTON, PA. — LOS ANGELES, CALIF.

And here's a memory for you...

Old label designating that the album is in stereo, but can also be obtained in monophonic
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